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Cann & Mesa

Michelle Cann & Tommy Mesa - 1.31.25

“[Cann is]…technically fearless, with a bold attack and an enormous, rich sound…” – La Scena Musicale

“…Mr. Mesa’s playing had a musical intensity that was commanding in every detail.” – New York Concert Review

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Nigel Wearne

Nigel Wearne - 2.7.25

“…tailor made for fans of Tom Waits...with fire and brimstone lyrics that recall Nick Cave…" –
Rhythms Magazine

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Artemis

Artemis - 2.14.25

“The real headline here is this ensemble’s cohesion, its ability to move gracefully through various styles and moods and to sound, by turns, authoritative and playful, locked-in or loose-limbed.” – Wall Street Journal

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Pipo Romero

Pipo Romero Trio - 2.21.25

“Folklore and inventiveness, color and feeling, an exciting and refined performance.” – Corriere Adriatico, Spain

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Gesualdo Six

The Gesualdo Six & Owain Park, Director - 2.28.25

“Weavers of rich and plangent aural tapestries, The Gesualdo Six meld style and substance with beguiling sure-footedness.” – BBC Music Magazine

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Frigg

Frigg - 3.7.25

“Audiences are in awe of the band’s ability to transport listeners to traditional Finnish polska, bluegrass and Balkan rhythms and all the way to the dynamics of classical music, as if there were multiple groups performing on stage.” – The Sound Café

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Roberta Mameli

Ghosts of Hamlet - 3.21.25

with Le Concert de l’Hostel Dieu Baroque Orchestra and Roberta Mameli, soprano

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Sona Jobarteh

Sona Jobarteh - Sunday, 3.23.25

“Sona Jobarteh is Africa’s first female griot kora virtuoso, and also a fine singer and composer, blending traditional music, blues and Afropop to impressive effect.” – The Guardian

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Jupiter SQ

Jupiter String Quartet - 3.28.25

“Jupiter, always talented, has reached that stage where musical expression, not technical proficiency, has become the focus;...an intensely alert investigation of the musical possibilities in each work.” – Boston Classical Review

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Ilya Yakushev

Ilya Yakushev, piano - 4.4.25

Performing Gershwin’s "Rhapsody in Blue" and Mussorgsky’s "Pictures at an Exhibition"

"An exuberantly outsized performance . . . a winning blend of rapturous lyricism and dramatic flair."— San Jose Mercury News

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Stephane Wrembel

Stephane Wrembel Quartet - 4.25.25

"Perhaps the most creative improviser in Gypsy jazz today, Mr. Wrembel plays the guitar with a rich and colorful lyricism." – The New York Times

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The ¶¶Ňő̽̽ Lane Series is a program of ¶¶Ňő̽̽'s School of the Arts.

Lane Series is a program of the ¶¶Ňő̽̽ School of the Arts.

¶¶Ňő̽̽’s Land Acknowledgment Statement

The campus of ¶¶Ňő̽̽ sits within a place of gathering and exchange, shaped by water and stewarded by ongoing generations of Indigenous peoples, particularly the Western Abenaki. Acknowledging the relations between water, land, and people is in harmony with the mission of the university. Acknowledging the serious and significant impacts of our histories on Indigenous peoples and their homelands is a part of the university’s ongoing work of teaching, research, and engagement and an essential reminder of our past and our interconnected futures for the many of us gathered on this land. ¶¶Ňő̽̽ respects the Indigenous knowledge interwoven in this place and commits to uplifting the Indigenous peoples and cultures present on this land and within our community.