A UFO-like building is sited on the Amazon River, a man on trial for sorcery over an amulet, and a neurophysiologist disappears without a trace.
This Saturday, February 24 at 2:00pm, the Fleming Museum of Art presents a screening of video art from the traveling exhibition Never Spoken Again: Rogue Stories of Science and Collections. The three videos offer an immersive experience, as they invite the viewer into the sounds, languages, environments, and lives depictedāboth real and reimagined.
Curated by David Ayala-Alfonso and produced by Independent Curators International (ICI), Never Spoken Again features seventeen contemporary artists whose works open up critique of material culture, iconography, and political ecologies.āÆThe use of fiction and rewriting or reimagining history is a thematic thread that runs throughout the exhibition and one in which museum visitors are encouraged to investigate throughout the galleries.
PROGRAM DETAILS
Saturday, February 24, 2024
2:00 pm ā 3:00 pm
Fleming Museum Auditorium - Lower Level, Room 101
All videos will be presented with English subtitles. Content Warning: Video artworks in this program include depictions of self-harm, blood, and death.
Laura Huertas MillĆ”n,āÆAequador, 2012 19 min.
In Laura Huertas MillĆ”nās Aequador, virtual relics and ruins of an ideal 3-D architecture are embedded somewhere in the middle of the Amazonas and the everyday life of people inhabiting that area. āRuins are very present in my work,ā Huertas MillĆ”n told Hyperallergic, āā¦they were the testament of past colonial ācivilizationalā projects: botanic gardens, greenhouses, mega-projects in the forestā¦ [and ruins articulate] Americaās colonization and its subsequent transformation/destruction of nature.ā
Carlos Motta,āÆCorpo FechadoāThe Devilās WorkāÆ, 2018 24:47 min.
Corpo FechadoāThe Devilās WorkāÆ retells the true story of JoseĢ Francisco Pereira, an eighteenth-century West African man, who after being kidnapped and enslaved was later tried by the Lisbon Inquisition for sorcery. Along with others in enslaved communities, Pereira combined spiritual practices that mixed African and Christian traditions in the form of bolsas de mandinga, or amulets to protect fellow enslaved persons from injury. This videoāÆimagines Pereira as the agent of his own narrative, reclaiming the terms of representation from the account of his own destruction.
FranƧois Bucher,āÆThe Man Who Disappeared, 2011 26:46 min.
Examining the mysterious 1994 disappearance of Mexican neurophysiologist Jacobo Grinberg-Zylberbaum, TheāÆMan Who DisappearedāÆ combines archival footage, interviews, and voice-over narration to express multiple histories, traditional Indigenous knowledge, and scientific scholarship. It also grapples with Grinberg-Zylberbaumās own holistic theory of consciousness that questioned traditional Western ideas regarding space, time, and science.
Never Spoken Again: Rogue Stories of Science and Collections is a traveling exhibition curated by David Ayala-Alfonso and produced by Independent Curators International (ICI). It is the result of a new series of programs, pioneered with the support of the Hartfield Foundation, aimed at providing opportunities to alumni of ICIās Curatorial Intensive as they move through the stages of their career, and reflecting ICIās commitment to fostering and championing new curatorial voices who will shape the future of the field. Never Spoken Again is made possible with the generous support of ICIās Board of Trustees and International Forum. Additional support for Erkan Ćznurās participation is provided by SAHA. The presentation at the Fleming Museum of Art has been organized in collaboration with Kristan M. Hanson, the Flemingās curator of collections and exhibitions. Crozier Fine Arts is the Preferred Art Logistics Partner.
Artists: Morehshin Allahyari, Maria Thereza Alves, FranƧois Bucher, Giuseppe Campuzano, Alia Farid, Sofia de Grenade, Laura Huertas MillĆ”n, Ulrik LĆ³pez, Carlos Motta, Erkan Ćznur, David PeƱa Lopera, Claudia PeƱa Salinas, Michael Rakowitz, Beatriz Santiago MuƱoz, Reyes Santiago Rojas, Daniel R. Small, and Felipe Steinberg.